He got up and sat on the edge of the bedstead with his back to the window. “It’s better not to sleep at all,” he decided. There was a cold damp draught from the window, however; without getting up he drew the blanket over him and wrapped himself in it. He was not thinking of anything and did not want to think. But one image rose after another, incoherent scraps of thought without beginning or end passed through his mind. He sank into drowsiness. Perhaps the cold, or the dampness, or the dark, or the wind that howled under the window and tossed the trees roused a sort of persistent craving for the fantastic. He kept dwelling on images of flowers, he fancied a charming flower garden, a bright, warm, almost hot day, a holiday—Trinity day. A fine, sumptuous country cottage in the English taste overgrown with fragrant flowers, with flower beds going round the house; the porch, wreathed in climbers, was surrounded with beds of roses. A light, cool staircase, carpeted with rich rugs, was decorated with rare plants in china pots. He noticed particularly in the windows nosegays of tender, white, heavily fragrant narcissus bending over their bright, green, thick long stalks. He was reluctant to move away from them, but he went up the stairs and came into a large, high drawing-room and again everywhere—at the windows, the doors on to the balcony, and on the balcony itself—were flowers. The floors were strewn with freshly-cut fragrant hay, the windows were open, a fresh, cool, light air came into the room. The birds were chirruping under the window, and in the middle of the room, on a table covered with a white satin shroud, stood a coffin. The coffin was covered with white silk and edged with a thick white frill; wreaths of flowers surrounded it on all sides. Among the flowers lay a girl in a white muslin dress, with her arms crossed and pressed on her bosom, as though carved out of marble. But her loose fair hair was wet; there was a wreath of roses on her head. The stern and already rigid profile of her face looked as though chiselled of marble too, and the smile on her pale lips was full of an immense unchildish misery and sorrowful appeal. Svidrigaïlov knew that girl; there was no holy image, no burning candle beside the coffin; no sound of prayers: the girl had drowned herself. She was only fourteen, but her heart was broken. And she had destroyed herself, crushed by an insult that had appalled and amazed that childish soul, had smirched that angel purity with unmerited disgrace and torn from her a last scream of despair, unheeded and brutally disregarded, on a dark night in the cold and wet while the wind howled

The Blog

  • 12 Insider Tips for Authors Booking School Visits image of tag icon

    School visits are an important source of income and exposure for most children’s book authors, but if you haven’t been in a classroom in awhile, reaching out can be intimidating.  (What if you say something wrong and end up in the principal’s office?)  As a veteran teacher of 17 years, I’ve seen my share of […]

     Read More
  • How to Write the First Line of Your Children’s Book (6 Steps) image of tag icon

    So you want to start a children’s book, and you’re faced with a blank page. Where do you begin? Well, the first line of your children’s picture book is the most important line. It sets the tone for the rest of the book, and grabs the reader’s attention. Mess it up, and the reader, either […]

     Read More
  • 10 Steps to Pacing Your Children’s Book image of tag icon

    Not that many children’s book authors think about the pacing of their book. But pacing is incredibly important — it’s the difference between a child becoming bored, and wanting to read your book again and again. When authors do think about pacing, they usually make this common mistake: they think that faster pacing is always […]

     Read More
  • 8 Self-Editing Challenges for Your Children’s Picture Book image of tag icon

    Every single word in a children’s picture book is precious. That’s because you don’t have very many of them. Most picture books are between 200 – 800 words. That means every single word needs to carry its weight, and any words that aren’t doing their duty need to be cut, pronto. As an editor, I’ve […]

     Read More
  • 200 Children’s Book Ideas to Inspire You image of tag icon

    You probably already have some kind of idea of a children’s book, but even if you do, these prompts will help you refine it. Read these prompts to get a sense of the possibilities of children’s picture book fiction! And who knows? You might find that you want to borrow one of these ideas and […]

     Read More
  • What’s the Perfect Length for a Children’s Picture Book? image of tag icon

    As a children’s book editor, I often get asked about the ideal length for a picture book. Luckily for you, I’ve answered this so many times that I have the best answer you’ll find online. Most of the time, authors write children’s picture books that are too long. I’ve worked with probably a hundred manuscripts […]

     Read More
  • Including (and Excluding) Parents in Children’s Books image of tag icon

    Let’s dive into a topic that’s crucial for children’s authors, parents, and young readers alike: the role of parents in children’s literature. If you haven’t thought about this, you’re not alone: most authors spend most of their time focusing on their child character, and on the world or theme, and never actually think about the […]

     Read More
  • 6 Ways to Name your Children’s Book Characters image of tag icon

    Naming a character, especially for a children’s book, isn’t just a matter of whimsy. It’s an art and a science combined, a delicate dance that can ignite imagination or leave your story flat. This might sound like a tall order, but don’t worry. With the right approach, you can find the perfect name that resonates […]

     Read More
  • 23 Ways to Title Your Children’s Book image of tag icon

    So you’ve gone and done it. You’ve crafted a world filled with whimsy, wonder, and wild adventures, and all that’s left is giving it a name. No big deal, right? Wrong! Titling your children’s book is like putting the cherry on top of a sundae. You wouldn’t toss just any old cherry up there, would […]

     Read More